Arts
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‘I Am: Celine Dion’ Review: You Saw the Best in Me
Dion’s voice made her a star. A new documentary on Amazon Prime Video brings her back to Earth, showing her…
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Can a New Leader Make the Boston Symphony Innovative Again?
Chad Smith, the orchestra’s new chief executive, hopes to return the storied ensemble to its groundbreaking roots while moving it…
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Jonathan Majors Is Cast in First Movie Role Since Assault Conviction
Mr. Majors, who was sentenced to a year of domestic violence programming and was dropped by Marvel, is set to…
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‘White Chicks’ at 20: Comedy Beyond the Pale
The Wayans brothers’ subversive comedy is smarter than you remember.
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At Montpellier Danse, Leaning Into New Work as the Void Looms
The festival, the final one for its longtime director, started with a bravura work by Wayne McGregor that was at…
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Review: In ‘Find Me Here,’ Sisters Grapple With a Father’s Will, and His Legacy
A family gathering fuels Crystal Finn’s new play, in which an excellent cast teases out the many complications of inheritance.
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Leslye Headland’s ‘Cult of Love’ to Open on Broadway in the Fall
The play will be produced by Second Stage, which is also planning an Off Broadway production of a two-character drama…
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A Day-Glo New York Where Artists Could Afford the Rent
In his beautiful memoir, “Do Something,” Guy Trebay paints a picture of a vanished, pre-AIDS Gotham that’s both gritty and…
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What Happened to the Well-Mannered Cat Burglar?
In “A Gentleman and a Thief,” Dean Jobb vividly recounts the life and times of the notorious criminal — and…
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‘Babylon Berlin’ Review: Dancing While the World Begins to Burn
The long-awaited fourth season of the cult-favorite German thriller takes place in 1931, with the Nazis not quite in power.